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Art --- Art criticism --- History --- 2000 - 2099 --- Visual Arts - General
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From the 16th century to the 18th century skin colours have been stereotyped and stylised as essential characteristics of race. Colour is of vital importance for artistic constructions of the body. This publication examines to what extent art has prepared the racist discourse by visual means and thus exercises structural violence. It is shown that the materialisation of imaginary images contributes to the construction of difference in artworks.
Visual Arts --- Art, Architecture & Applied Arts --- Visual Arts - General --- Hautfarbe --- Rassismus --- Weißseinforschung
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Art --- Art criticism --- Art. --- Art criticism. --- Visual Arts - General --- History --- 2000 - 2099
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Art --- Art criticism --- Art. --- Art criticism. --- History --- 2000 - 2099 --- Visual Arts - General
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Result of our research is a monographic study dealing with a prominent part of Kokoschka's life and work which has hitherto been regarded too little by scholars. The years of his exile in Prague and particularly in London, where he had to work under a lot of stress and pressure, are the time in which his political allegories came to be. As these works are outside the established canon of art historical development, and as they have no affinity to Surrealism or to Abstract art, scholars have so far spent comparatively less effort to analyse them. This study approaches the group of these works from a transdisciplinary perspective. The authors (G. Sultano is trained historian, P. Werkner art historian) set out from different questions with regard to his oevre and his life. This results in combining the view of a prominent body of Kokoschka's paintings with a biographical perspective set against a political-historical background.
Visual Arts --- Art, Architecture & Applied Arts --- Visual Arts - General --- Kokoschka, Oskar, --- Kokoschka, Oskar, --- Political activity. --- Political and social views.
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Die heutige Bildpraxis wie sie sich beispielsweise in der Cyborg Art, Virtual Architecture oder Bio Art zeigt befreit die Aktivit t des Bildes, die bisher in der sthetischen virtuellen Dimension eingesperrt war. Das Bild selbst kann sich nun als Lebewesen behaupten, indem es sich in einem K rper oder Material manifestiert. In der virtuellen Kunst wird das Bild, das Simulacrum gewesen ist, zum Leben. Der Autor widmet sich in kritisch-theoretischer Perspektive der heutigen Bildpraxis und untersucht daf r Beispiele aus Kunst und Architektur.
Digital art. --- Virtual art. --- Virtual reality in art. --- Visual Arts --- Art, Architecture & Applied Arts --- Visual Arts - General
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Result of our research is a monographic study dealing with a prominent part of Kokoschka's life and work which has hitherto been regarded too little by scholars. The years of his exile in Prague and particularly in London, where he had to work under a lot of stress and pressure, are the time in which his political allegories came to be. As these works are outside the established canon of art historical development, and as they have no affinity to Surrealism or to Abstract art, scholars have so far spent comparatively less effort to analyse them. This study approaches the group of these works from a transdisciplinary perspective. The authors (G. Sultano is trained historian, P. Werkner art historian) set out from different questions with regard to his oevre and his life. This results in combining the view of a prominent body of Kokoschka's paintings with a biographical perspective set against a political-historical background.
Visual Arts --- Art, Architecture & Applied Arts --- Visual Arts - General --- Kokoschka, Oskar, --- Kokoschka, Oskar, --- Political activity. --- Political and social views.
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Corinth, Lovis --- Artists --- Visual Arts - General --- Visual Arts --- Art, Architecture & Applied Arts --- Biography --- Corinth, Lovis, --- Corinth, Franz Heinrich Louis, --- Corinth, Louis, --- Korint, Lovis,
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The twenty-tow contributions in this transnational and interdisciplinary volume delve into the material, symbolic and aesthetic dimensions of the album format using approaches from the fields of cultural studies, literary studies and media studies. This Publication unites perspectives from English, American, German, Romance, Slavic, archive and film studies, history, art history, musicology and philosophy to explore this culturally significant ‚networking’ medium. The starting point for all of the contributions in the publication is the album format, which, with its inscriptions and non-verbal semantics, can integrate, represent and symbolically reproduce all forms of media and culture. The volume’s main interest is the interconnectedness: The album has the innate ability to unify the most diverse subject areas. Representation, mobility, migration and memory, multiculturalism and the formation of communities, materiality and the culture of things, the discourse of friendship, family history, generational narratives, and transmedia experimentation in remoulding genres and art forms all have a place in the album, as it can transform anything into one coherent aesthetic system.
Albums. --- Albums --- Art --- Arts --- Narrative art. --- Visual Arts --- Art, Architecture & Applied Arts --- Visual Arts - General --- History. --- Collectors and collecting. --- Philosophy. --- Collectors and collecting --- History --- Philosophy
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Art, Modern -- 19th century. --- Art, Modern -- 20th century. --- Painting -- Catalogs. --- Visual Arts --- Art, Architecture & Applied Arts --- Visual Arts - General --- Neuhold, Alois,
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